🔗 Share this article Film Analysis: Sleaford Mods' Jason Williamson Takes On Character in Critical Examination at 90s Rave Culture The work of Bristol sound co-founder the musician-producer, this scabrous if slight debut feature casts a critical gaze on the ecstasy-fueled club scene. Self-serving pillhead David (the actor) first robs an unconscious dealer, then in another flashback tries to break into his own family home. Before you can say, he's upside down in the wreckage of his car in a woodland – and subject to the angry eye of the Woodsman (Sleaford Mods frontman Jason Williamson). Refusing to extricate David, with impatience toward townies, he is broken Britain personified: “You’re one of those noisy cunts from up on the heath.” Unsteady Opening and Darkly Funny Duel The film begins uncertainly, spending too long on pedantically chronicling David’s attempt to extricate himself from his seatbelt, while clumsily segueing into past scenes of his normal activities. The bigger point – that the rave-era youth were mainly focused on number one – is clearly conveyed. But these brief episodes are insufficiently developed to adequately prepare us for what to expect when the Woodsman arrives, enraged after David kills his dog. Still, a grimly amusing standoff takes hold – David desperate to escape; the Woodsman denying his container of scrumpy, determined to soaking him instead in resentful talk. Williamson, exuding heavy threat in the role, is evocative of Michael Smiley. Visual Flair and Music Video Sensibility There is only one important plot development, but it results in a hilariously staged rampage on the woodland paths that veers toward folk horror. Filmmaker John Minton finally gets to go all in with his ostentatious visuals: where he was focused intently doing impressionistic closeups of insects in the light in the opening part, he now lets rip with the full psychedelic grand display, soundtracked to a frenzied keyboard rendition of Ravel’s Boléro. The movie resembles an extended promo than a complete narrative, but there’s enough bold visuals to suggest that Minton could follow Jonathan Glazer, Garth Jennings et al into successfully graduating from the UK video industry. Game is in UK and Irish theaters from November 17.